Telephone Conversation by Wole Soyinka
Telephone Conversation by Wole Soyinka Short Essay
Introduction:
The poem Telephone Conversation by Wole Soyinka, published in 1963, is about a Black African man who tries to rent an apartment from a white British landlady. It shows how racism and prejudice affect people in everyday life.
Rental Inquiry:
The man sees an ad for an apartment and calls the landlady. He isn't too worried about the location, but the rent is fair. She says she doesn't live there, which makes him more comfortable.
Revealing His Identity:
He decides to tell her that he is African because Black people are often treated unfairly. After he says he is African, the landlady goes silent. Her silence shows discomfort and hesitation, clearly revealing her prejudice.
Obsession with Skin Colour:
After a pause, the landlady rudely asks how dark his skin is. This shocks him. He replies that he is West African sepia and jokingly compares his skin to chocolate. He describes his face as brunette, the palms of his hands and feet as blonde, and his bottom as raven black. He mocks her ignorance and suggests she would rather see it for herself.
Conclusion:
Red buses, red booths, red post boxes, and black tar are used to represent the deep racial divide in society. The poem powerfully shows how racism leads people to judge others by appearance instead of character, revealing the injustice and ignorance within society.
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Telephone Conversation by Wole Soyinka
Detailed Essay
Introduction:
The poem "Telephone Conversation" by Wole Soyinka was published in 1963. This poem revolves around a black African man attempting to rent an apartment from a white British landlady, only to face racial prejudice. It explores themes of racism, prejudice, societal ignorance, and the absurdity of judging people based solely on their skin color.
About the Author:
Wole Soyinka is a Nigerian playwright, novelist, poet, and essayist in the English language. He was awarded the 1986 Nobel Prize in Literature. His famous works were The Lion and the Jewel (1959), A Dance of the Forests (1960), The Strong Breed (1964), Death and the King's Horseman (1975).
Rental Inquiry:
The protagonist found an advertisement for a rental property and decides to call the landlady to discuss the details. He didn't care much about the location, but the price seemed fair. The landlady mentioned that she didn't live there, which made him feel better about renting it.
Revealing His Identity:
He thought that telling the landlady he was African might change her attitude because he often faced racial prejudice. Not wanting to make a wasted trip, he told her directly that he was African (Black). After he mentioned his race, the landlady went silent.
Obsession with Skin Color:
After an awkward silence, the landlady finally spoke. Her voice was described as "lipstick-coated," and she held a long, gold cigarette holder. She directly asked how dark his skin was. The protagonist was shocked, realizing that her concern wasn’t simply about his African background she wanted to know the exact shade of his skin. The landlady insisted, asking if he was "dark or very light," making it clear with each word that she was obsessed with his race.
Symbols of Racial Divide:
The protagonist realizes the harsh truth that people are judged by their skin color. The images of the red booth, red pillar box, and red double-decker bus represent white people, while the squelching tar stands for black people. This shows that white people dominate black people, don't accept them in their society, and refuse to give them equal rights or respect. They even refuse to rent them a house, highlighting the strong racial tension.
Describing His Complexion:
The protagonist humorously compared his skin color to different types of chocolate, asking if the landlady meant plain or milk chocolate. To be more specific, he formally described his complexion as "West African sepia," mentioning that it was also written in his passport. However, this only seemed to confuse the landlady.
Sarcastic Response:
The landlady is unfamiliar with the term West African sepia. It showed her ignorance of the diversity among African people. She then asked if "brunette" meant "dark." The protagonist, frustrated but trying to stay calm, sarcastically said his face was brunette, his hands and feet were peroxide blonde, and his bottom was raven black from sitting. Sensing she might hang up, he suggested she should see his skin tone herself. He asked if she wouldn't prefer to see it for herself.
Conclusion:
The Telephone Conversation by Wole Soyinka reveals the protagonist's painful encounter with racial prejudice. His experience highlights the irrationality of racism and the absurdity of judging someone's worth based on skin color. The landlady's fixation on his complexion exposes the deep-rooted discrimination that still exists, emphasizing the unfairness of judging people by their appearance rather than their character.
Themes:
πRacism
πIdentity
πPrejudice
πSocial Inequality
πDiscrimination
πStereotypes
πPower and Dominance
πAlienation
πInjustice
πSelf-awareness
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